https://sabinehickey.cargo.site
2026-05-05T14:41:20+00:00
always
0.5
https://sabinehickey.cargo.site/cv
2026-05-05T03:00:37+00:00
always
0.5
https://sabinehickey.cargo.site/footer-(desktop)-1
2026-05-05T03:00:37+00:00
always
0.5
https://sabinehickey.cargo.site/film
2026-05-05T14:58:33+00:00
always
0.5
https://freight.cargo.site/t/original/i/T2921117689498412890326441675545/Maladaptive
<br />Maladaptive (2026) <br />
Written & Directed by Sabine Hickey <br />
<br />
Maladaptive daydreaming is a state of deep, immersive fantasy in which a person mentally withdraws from their immediate reality, often as an<br />
unconscious response to stress or trauma. This film explores how music is often used tofoster such dissociation, following one girl's singular experience of transporting into her subconscious and confronting her habit of reaching for sound the moment the world becomes too much.<br />
<br />
<a href="https://youtu.be/NsWMkq743_8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a><br />
<br />
https://freight.cargo.site/t/original/i/L2921118363431760879231200414489/Screenshot-2026-05-03-at-11.58.09AM.png
<br />Maladaptive (2026) <br />
Written & Directed by Sabine Hickey <br />
<br />
Maladaptive daydreaming is a state of deep, immersive fantasy in which a person mentally withdraws from their immediate reality, often as an<br />
unconscious response to stress or trauma. This film explores how music is often used tofoster such dissociation, following one girl's singular experience of transporting into her subconscious and confronting her habit of reaching for sound the moment the world becomes too much.<br />
<br />
<a href="https://youtu.be/NsWMkq743_8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a><br />
<br />
https://freight.cargo.site/t/original/i/X2921124829200026155166137338649/Apricitous
Apricitous (2026)<br />
Written & Directed by Sabine Hickey<br />
<br />Apricity
is a term for the fleeting warmth associated with winter sunshine. The film visually explores the conceptual adaptation of this word, using a poetic framework to examine the extent to which ‘apricity’ is limited to describing the sun. Ultimately, the film poses the question: Can something other than the sun be apricitous? Can the word’s inherent meaning transcend the simple condition of the weather? Most importantly, can a person feel apricitous?<br />
<br />
<a href="https://youtu.be/2YXtQUlmDUg">Watch externally<text-icon icon="north-east-arrow"></text-icon></a>
https://freight.cargo.site/t/original/i/P2921192036185816413028120808217/The Endup
The Endup, A Family Portrait (2026)<br />
Directed & Produced by Sabine Hickey<i><br /><br />
The Endup</i> is a short film about the unlikely overlap between the Irish immigrant community and the San Francisco rave scene in the 1990s. The film centers on my father, who left Malahide, Dublin in 1993 and found himself, like many young Irish immigrants at the time, drawn into the city's underground music culture. The film follows how music and nightlife became a refuge and a means of reinvention for people far from home. Part family portrait, part cultural history, it is ultimately a meditation on identity, migration, and the ways transient spaces can forge lasting ties.<br />
<br />
<a href="https://youtu.be/T1sYfQYgSq8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a>
https://freight.cargo.site/t/original/i/Y2921196428964322917704775781145/Screenshot-2026-04-13-at-10.36.25AM.png
Apricitous (2026)<br />
Written & Directed by Sabine Hickey<br />
<br />Apricity
is a term for the fleeting warmth associated with winter sunshine. The film visually explores the conceptual adaptation of this word, using a poetic framework to examine the extent to which ‘apricity’ is limited to describing the sun. Ultimately, the film poses the question: Can something other than the sun be apricitous? Can the word’s inherent meaning transcend the simple condition of the weather? Most importantly, can a person feel apricitous?<br />
<br />
<a href="https://youtu.be/2YXtQUlmDUg">Watch externally<text-icon icon="north-east-arrow"></text-icon></a>
https://freight.cargo.site/t/original/i/J2921206054936549181191547800345/Screenshot-2026-05-04-at-4.34.46PM.png
The Endup, A Family Portrait (2026)<br />
Directed & Produced by Sabine Hickey<i><br /><br />
The Endup</i> is a short film about the unlikely overlap between the Irish immigrant community and the San Francisco rave scene in the 1990s. The film centers on my father, who left Malahide, Dublin in 1993 and found himself, like many young Irish immigrants at the time, drawn into the city's underground music culture. The film follows how music and nightlife became a refuge and a means of reinvention for people far from home. Part family portrait, part cultural history, it is ultimately a meditation on identity, migration, and the ways transient spaces can forge lasting ties.<br />
<br />
<a href="https://youtu.be/T1sYfQYgSq8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a>
https://freight.cargo.site/t/original/i/N2921208089225038885807190461209/Golf Ball Consciousness
<span style="color: rgb(255, 255, 255);">Golf Ball Consciousness,<br />The Wisdom of David Lynch (2026)<br />
<br />
<a href="https://youtu.be/F0Akn7Oui7c" style="color: rgb(255, 255, 255);"><u>Watch externally<text-icon icon="north-east-arrow"></text-icon></u></a><br />
<br />
</span>
https://freight.cargo.site/t/original/i/Y2921208693152993114984200817433/Screenshot-2026-05-04-at-10.08.53AM.png
<span style="color: rgb(255, 255, 255);">Golf Ball Consciousness,<br />The Wisdom of David Lynch (2026)<br />
<br />
<a href="https://youtu.be/F0Akn7Oui7c" style="color: rgb(255, 255, 255);"><u>Watch externally<text-icon icon="north-east-arrow"></text-icon></u></a><br />
<br />
</span>
https://freight.cargo.site/t/original/i/Q2921210724102622142258414635801/Blackbird
<span style="color: rgb(255, 255, 255);">Blackbird,<br />Another Family Portrait (2025)</span><br /><br />
My mother’s childhood unfolded as a scattered map of places across the United States, constantly moving and never rooted in one home long enough to gather a continuous story. As a result, many of her baby photographs remained unseen for decades, tucked away in boxes of fragmented memory.<br />
<br />
During the Napa fires, my family rescued several of those boxes from my grandmother’s basement. What emerged was a small archive of rediscovered images: intimate, dislocated, and suspended between absence and presence. This project began as a gift to my mother, an attempt to trace belonging across dislocation. It evolved into an inquiry into how memory migrates, how photographs act as stubborn witnesses, and how family narratives are composed from rescued fragments.<br />
<br />
<a href="https://youtu.be/IIrGGvJahdQ" style="color: rgb(255, 255, 255);"><u>Watch externally<text-icon icon="north-east-arrow"></text-icon></u></a><br />
<br />
https://freight.cargo.site/t/original/i/M2921215183252513824142036323097/Screenshot-2026-05-04-at-4.42.52PM.png
<span style="color: rgb(255, 255, 255);">Blackbird,<br />Another Family Portrait (2025)</span><br /><br />
My mother’s childhood unfolded as a scattered map of places across the United States, constantly moving and never rooted in one home long enough to gather a continuous story. As a result, many of her baby photographs remained unseen for decades, tucked away in boxes of fragmented memory.<br />
<br />
During the Napa fires, my family rescued several of those boxes from my grandmother’s basement. What emerged was a small archive of rediscovered images: intimate, dislocated, and suspended between absence and presence. This project began as a gift to my mother, an attempt to trace belonging across dislocation. It evolved into an inquiry into how memory migrates, how photographs act as stubborn witnesses, and how family narratives are composed from rescued fragments.<br />
<br />
<a href="https://youtu.be/IIrGGvJahdQ" style="color: rgb(255, 255, 255);"><u>Watch externally<text-icon icon="north-east-arrow"></text-icon></u></a><br />
<br />
https://freight.cargo.site/t/original/i/U2921218827333018609169119857433/Project 2 Archival Sabine Hickey
<br />
Lines of Protest,<br />
Another Era of ICE (2025)<br /><br />
This project reimagines America’s political response to ICE violence through the lens of 1970s anti–Vietnam War protests. By blurring archival anti-war footage with images of NO-KINGs and ICE, the short invites audiences to confront the continuities between past and present state violence, to question narratives of progress, and to recognize the enduring power of collective resistance: urging viewers to reflect, mourn, and mobilize for systemic change.<br />
<br />
<a href="https://youtu.be/pcbrd8nHmE8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a>
https://freight.cargo.site/t/original/i/T2921219079629137305294657309465/Screenshot-2026-05-03-at-12.02.19PM.png
<br />
Lines of Protest,<br />
Another Era of ICE (2025)<br /><br />
This project reimagines America’s political response to ICE violence through the lens of 1970s anti–Vietnam War protests. By blurring archival anti-war footage with images of NO-KINGs and ICE, the short invites audiences to confront the continuities between past and present state violence, to question narratives of progress, and to recognize the enduring power of collective resistance: urging viewers to reflect, mourn, and mobilize for systemic change.<br />
<br />
<a href="https://youtu.be/pcbrd8nHmE8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a>
https://sabinehickey.cargo.site/fabrication
2026-05-05T14:48:54+00:00
always
0.5
https://freight.cargo.site/t/original/i/I2921257780271014649427822922521/Gemini_Generated_Image_9af11o9af11o9af1.png
<span style="color: rgb(255, 255, 255);">Organic Ossuary (2026)<br />
</span>Biodegradable Purple Cabbage<br /><br />
This project investigated organic fabrication by constructing a corset from 100% cabbage. By using a biodegradable, living material typically associated with food waste, the garment investigated how form, structure, and decay can operate as design tools.<br />
<br />The cabbage was layered and shaped to approximate the structure of a corset, using its natural curvature and density to create compression around the body. As the material responded to handling and environmental conditions, it shifted in texture and integrity, introducing unpredictability into the form-making process.<br />
<br />The resulting piece functioned as both garment and experiment, testing how organic matter can be temporarily structured to suggest the language of fashion while remaining subject to change over time.
https://freight.cargo.site/t/original/i/U2921284051330714431401723710233/Screenshot-2026-05-04-at-5.44.34PM.png
Biomorphic Spat Fashion (2026)<br />
Repurposed Oyster Shells <br />
<br />
This project investigated garmentmaking and refabrication using an abundant, human-generated biodegradable material: oyster shells. The goal was to produce a piece of ‘human armor’ that conceptually mimics the role the oyster shell plays in protecting the organism. In doing so, I retained the biomorphic essence/form of the oyster shell, and an adequate ‘hard shell’ surface area so the garment could be reintroduced to NYC waterways, fostering spat growth. <br /><br />
In collaboration with local businesses, I repurposed discarded oyster shells to help address over-harvesting that destroyed NYC’s native oyster reefs and degraded local waterways.
Beyond fashion, the work asks how material cycles and civic waste can be reframed into regenerative objects, and points toward more practical, hedonistic applications for shoreline restoration and circular material systems.
https://freight.cargo.site/t/original/i/N2921284601578643406083938863897/Screenshot-2026-05-04-at-5.45.42PM.png
https://freight.cargo.site/t/original/i/O2921290065836279432179899452185/painting-49.jpg
<span style="color: rgb(255, 255, 255);">Organic Ossuary (2026)<br />
</span>Biodegradable Purple Cabbage<br /><br />
This project investigated organic fabrication by constructing a corset from 100% cabbage. By using a biodegradable, living material typically associated with food waste, the garment investigated how form, structure, and decay can operate as design tools.<br />
<br />The cabbage was layered and shaped to approximate the structure of a corset, using its natural curvature and density to create compression around the body. As the material responded to handling and environmental conditions, it shifted in texture and integrity, introducing unpredictability into the form-making process.<br />
<br />The resulting piece functioned as both garment and experiment, testing how organic matter can be temporarily structured to suggest the language of fashion while remaining subject to change over time.
https://freight.cargo.site/t/original/i/G2921290065780939199958770797337/painting-50.jpg
https://freight.cargo.site/t/original/i/M2921290065817832688106189900569/painting-52.jpg
https://freight.cargo.site/t/original/i/I2921320326022831897918046751513/Screenshot-2026-05-04-at-6.17.37PM.png
<span style="color: rgb(255, 255, 255);">Imbalance, A T-Shirt Project (2026)<br />
</span>Cotton, Epoxy Resin<br />
<br />
This project used a single T-shirt as a medium to explore how a design principle can be communicated through the body. By applying a focused set of alterations, the garment was transformed to express imbalance as both a visual condition and a physical experience when worn.<br />
<br />
This piece explored the concept of imbalance by examining how garment weight affects stabilization. As materials grow heavier when wet, I partially immersed a T-shirt in clear resin to create a glossy, water-saturated effect—sculpting the fabric to emulate drooping toward the more saturated side.<br />
<br />
By hanging the garment vertically as it dried, the resin solidified this asymmetry, leaving an elongated, tail-like form on one side. I also experimented with introducing a more forceful pull to the left using bungee cords and elastic bands, applying tension during the drying process to exaggerate the sense of weight and directional strain.
https://freight.cargo.site/t/original/i/K2921320460370468986744711170841/Screenshot-2026-05-04-at-6.17.19PM.png
https://freight.cargo.site/t/original/i/C2921320613847379680008180615961/Screenshot-2026-05-04-at-6.17.55PM.png
<span style="color: rgb(255, 255, 255);">Organic Ossuary (2026)<br />
</span>Biodegradable Purple Cabbage<br /><br />
This project investigated organic fabrication by constructing a corset from 100% cabbage. By using a biodegradable, living material typically associated with food waste, the garment investigated how form, structure, and decay can operate as design tools.<br />
<br />The cabbage was layered and shaped to approximate the structure of a corset, using its natural curvature and density to create compression around the body. As the material responded to handling and environmental conditions, it shifted in texture and integrity, introducing unpredictability into the form-making process.<br />
<br />The resulting piece functioned as both garment and experiment, testing how organic matter can be temporarily structured to suggest the language of fashion while remaining subject to change over time.
https://sabinehickey.cargo.site/photography
2026-05-05T15:04:45+00:00
always
0.5
https://freight.cargo.site/t/original/i/R2921471545697686581918208379673/ava-double.jpg
https://freight.cargo.site/t/original/i/T2921471545716133325991917931289/ava-polka-dot.jpg
https://freight.cargo.site/t/original/i/H2921471545826813790434175240985/Olivia-Red-Shot.jpg
https://freight.cargo.site/t/original/i/Z2921471545734580070065627482905/art224-ella3258.jpg
https://freight.cargo.site/t/original/i/U2921471545771473558213046586137/art224-ella3212-Edit-3.jpg
https://freight.cargo.site/t/original/i/F2921471545753026814139337034521/art224-ella3255-Enhanced-NR-2.jpg
https://freight.cargo.site/t/original/i/L2921473813337488818959678982937/DSC_0133-Enhanced-NR.jpg
https://freight.cargo.site/t/original/i/J2921473813300595330812259879705/DSC_0244.jpg
https://freight.cargo.site/t/original/i/F2921473813319042074885969431321/DSC_0213.jpg
https://freight.cargo.site/t/original/i/B2921473813355935563033388534553/Bold-Colors1989.jpg
https://freight.cargo.site/t/original/i/J2921474474376562700341461142297/ME-for-print-2.9-1.jpg
https://freight.cargo.site/t/original/i/Q2921476068341271365510106729241/Screenshot-2026-05-04-at-8.38.44PM.png
https://freight.cargo.site/t/original/i/V2921477879719305683419527662361/Screenshot-2026-05-04-at-8.40.26PM.png
https://freight.cargo.site/t/original/i/K2921483186220386391151402830617/painting-44.jpg
https://freight.cargo.site/t/original/i/O2921483186312620111519950588697/painting-39.jpg
https://freight.cargo.site/t/original/i/U2921483186201939647077693279001/painting-43.jpg
https://freight.cargo.site/t/original/i/S2921483186294173367446241037081/painting-48.jpg
https://sabinehickey.cargo.site/sabine-hickey-freelance-kardder-app-(2025)shabang-fit-challenge-marketing-video-sample-kardder-is-a-creative-social-media-startup-that-helps-people-connect-through-thoughtfully-designed,-shareable-digital-cards-and-meaningful-interactions-the-kardder-slo-
2026-05-05T03:05:50+00:00
always
0.5
https://freight.cargo.site/t/original/i/O2921491079748196228131925281561/Page-1-Shabang-Lookbook.png
https://freight.cargo.site/t/original/i/N2921492487511470213276356856601/Screenshot-2026-05-04-at-8.53.41PM.png
https://freight.cargo.site/t/original/i/S2921498773885149372385904315161/gallery-1-a-2.png
https://freight.cargo.site/t/original/i/T2921498773940489604607032970009/KILAKILA-2.png
https://freight.cargo.site/t/original/i/J2921518325570746353065952561945/table.png
https://freight.cargo.site/t/original/i/X2921520032337295028968506280729/Screenshot-2026-05-04-at-9.18.14PM.png
https://freight.cargo.site/t/original/i/P2921520064379289485001997437721/Screenshot-2026-05-04-at-9.18.06PM.png
https://freight.cargo.site/t/original/i/Y2921544795984409339618977663769/Screenshot-2026-04-18-at-5.23.06PM.png
https://freight.cargo.site/t/original/i/C2921544795947515851471558560537/Screenshot-2026-04-18-at-5.13.17PM.png
https://freight.cargo.site/t/original/i/W2921544795910622363324139457305/Screenshot-2026-04-18-at-5.18.00PM.png
https://freight.cargo.site/t/original/i/K2921567283026603793405136358169/Screen-Recording-2026-05-04-at-10.00.47PM.mov
https://freight.cargo.site/t/original/i/I2921586829879153826773282081561/Screen-Recording-2026-05-04-at-10.18.29PM.mov
https://freight.cargo.site/t/original/i/B2921596319954216499241787345689/colorgrade.m4v
https://freight.cargo.site/t/original/i/V2921602802748826555210640411417/Screenshot-2026-05-04-at-10.33.18PM.png
https://freight.cargo.site/t/original/i/B2921602870872652419420014529305/Screenshot-2026-05-04-at-10.32.48PM.png
https://freight.cargo.site/t/original/i/G2921602923685680702450460805913/Screenshot-2026-05-04-at-10.33.08PM.png
https://freight.cargo.site/t/original/i/K2921602976867643866955098114841/Screenshot-2026-05-04-at-10.33.01PM.png
https://freight.cargo.site/t/original/i/I2921603024478690321199450835737/Screenshot-2026-05-04-at-10.32.55PM.png
https://freight.cargo.site/t/original/i/H2921603075926659542775390292761/Screenshot-2026-05-04-at-10.32.32PM.png
https://freight.cargo.site/t/original/i/R2921603127595989693235844369177/Screenshot-2026-05-04-at-10.32.40PM.png
https://sabinehickey.cargo.site/freelance
2026-05-27T05:10:09+00:00
always
0.5
https://freight.cargo.site/t/original/i/L2921491079785089716279344384793/Shabang-lookbook-page-3.png
https://freight.cargo.site/t/original/i/O2921491079748196228131925281561/Page-1-Shabang-Lookbook.png
https://freight.cargo.site/t/original/i/N2921492487511470213276356856601/Screenshot-2026-05-04-at-8.53.41PM.png
https://freight.cargo.site/t/original/i/S2921498773885149372385904315161/gallery-1-a-2.png
https://freight.cargo.site/t/original/i/T2921498773940489604607032970009/KILAKILA-2.png
https://freight.cargo.site/t/original/i/J2921518325570746353065952561945/table.png
https://freight.cargo.site/t/original/i/X2921520032337295028968506280729/Screenshot-2026-05-04-at-9.18.14PM.png
https://freight.cargo.site/t/original/i/P2921520064379289485001997437721/Screenshot-2026-05-04-at-9.18.06PM.png
https://freight.cargo.site/t/original/i/Y2921544795984409339618977663769/Screenshot-2026-04-18-at-5.23.06PM.png
https://freight.cargo.site/t/original/i/C2921544795947515851471558560537/Screenshot-2026-04-18-at-5.13.17PM.png
https://freight.cargo.site/t/original/i/W2921544795910622363324139457305/Screenshot-2026-04-18-at-5.18.00PM.png
https://freight.cargo.site/t/original/i/Z2921547615255646356870879791897/Black.png
https://freight.cargo.site/t/original/i/K2921567283026603793405136358169/Screen-Recording-2026-05-04-at-10.00.47PM.mov
https://sabinehickey.cargo.site/untitled-page
2026-05-05T21:59:00+00:00
always
0.5
https://freight.cargo.site/t/original/i/T2921117689498412890326441675545/Maladaptive
<br />Maladaptive (2026) <br />Written & Directed by Sabine Hickey <br />
<br />Maladaptive daydreaming is a state of deep, immersive fantasy in which a person mentally withdraws from their immediate reality, often as an<br />unconscious response to stress or trauma. This film explores how music is often used to foster such dissociation, following one girl's singular experience of transporting into her subconscious and confronting her habit.<br />
<br />
<a href="https://youtu.be/NsWMkq743_8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a><br />
https://freight.cargo.site/t/original/i/L2921118363431760879231200414489/Screenshot-2026-05-03-at-11.58.09AM.png
<br />Maladaptive (2026) <br />Written & Directed by Sabine Hickey <br />
<br />Maladaptive daydreaming is a state of deep, immersive fantasy in which a person mentally withdraws from their immediate reality, often as an<br />unconscious response to stress or trauma. This film explores how music is often used to foster such dissociation, following one girl's singular experience of transporting into her subconscious and confronting her habit.<br />
<br />
<a href="https://youtu.be/NsWMkq743_8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a><br />
https://freight.cargo.site/t/original/i/X2921124829200026155166137338649/Apricitous
Apricitous (2026)<br />Written & Directed by Sabine Hickey<br />
<br />Apricity
is a term for the fleeting warmth associated with winter sunshine. The film visually explores the conceptual adaptation of this word, using a poetic framework to examine the extent to which ‘apricity’ is limited to describing the sun. Ultimately, the film poses the question: Can something other than the sun be apricitous? Can the word’s inherent meaning transcend the simple condition of the weather? Most importantly, can a person feel apricitous?<br />
<br />
<a href="https://youtu.be/2YXtQUlmDUg">Watch externally<text-icon icon="north-east-arrow"></text-icon></a><br />
<br />
Check out some snippets:
https://freight.cargo.site/t/original/i/Y2921196428964322917704775781145/Screenshot-2026-04-13-at-10.36.25AM.png
Apricitous (2026)<br />Written & Directed by Sabine Hickey<br />
<br />Apricity
is a term for the fleeting warmth associated with winter sunshine. The film visually explores the conceptual adaptation of this word, using a poetic framework to examine the extent to which ‘apricity’ is limited to describing the sun. Ultimately, the film poses the question: Can something other than the sun be apricitous? Can the word’s inherent meaning transcend the simple condition of the weather? Most importantly, can a person feel apricitous?<br />
<br />
<a href="https://youtu.be/2YXtQUlmDUg">Watch externally<text-icon icon="north-east-arrow"></text-icon></a><br />
<br />
Check out some snippets:
https://freight.cargo.site/t/original/i/R2921206190132736497408851594009/Screenshot-2026-05-04-at-4.34.46PM.png
The Endup, A Family Portrait (2026)<br />Directed & Produced by Sabine Hickey<i><br /><br />The Endup</i> is a short film about the unlikely overlap between the Irish immigrant community and the San Francisco rave scene in the 1990s. The film centers on my father, who left Malahide, Dublin in 1993 and found himself, like many young Irish immigrants at the time, drawn into the city's underground music culture. The film follows how music and nightlife became a refuge and a means of reinvention for people far from home. Part family portrait, part cultural history, it is ultimately a meditation on identity, migration, and the ways transient spaces can forge lasting ties.<br />
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https://freight.cargo.site/t/original/i/Y2921208693152993114984200817433/Screenshot-2026-05-04-at-10.08.53AM.png
<span style="color: rgb(255, 255, 255);">Golf Ball Consciousness,<br />The Wisdom of David Lynch (2026)<br />
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<a href="https://youtu.be/F0Akn7Oui7c" style="color: rgb(255, 255, 255);"><u>Watch externally<text-icon icon="north-east-arrow"></text-icon></u></a><br />
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https://freight.cargo.site/t/original/i/Q2921210724102622142258414635801/Blackbird
<span style="color: rgb(255, 255, 255);">Blackbird,<br />Another Family Portrait (2025)</span><br /><br />My mother’s childhood unfolded as a scattered map of places across the United States, constantly moving and never rooted in one home long enough to gather a continuous story. As a result, many of her baby photographs remained unseen for decades, tucked away in boxes of fragmented memory.<br />
<br />During the Napa fires, my family rescued several of those boxes from my grandmother’s basement. What emerged was a small archive of rediscovered images: intimate, dislocated, and suspended between absence and presence. This project began as a gift to my mother, an attempt to trace belonging across dislocation. It evolved into an inquiry into how memory migrates, how photographs act as stubborn witnesses, and how family narratives are composed from rescued fragments.<br />
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<a href="https://youtu.be/IIrGGvJahdQ" style="color: rgb(255, 255, 255);"><u>Watch externally<text-icon icon="north-east-arrow"></text-icon></u></a><br />
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https://freight.cargo.site/t/original/i/M2921215183252513824142036323097/Screenshot-2026-05-04-at-4.42.52PM.png
<span style="color: rgb(255, 255, 255);">Blackbird,<br />Another Family Portrait (2025)</span><br /><br />My mother’s childhood unfolded as a scattered map of places across the United States, constantly moving and never rooted in one home long enough to gather a continuous story. As a result, many of her baby photographs remained unseen for decades, tucked away in boxes of fragmented memory.<br />
<br />During the Napa fires, my family rescued several of those boxes from my grandmother’s basement. What emerged was a small archive of rediscovered images: intimate, dislocated, and suspended between absence and presence. This project began as a gift to my mother, an attempt to trace belonging across dislocation. It evolved into an inquiry into how memory migrates, how photographs act as stubborn witnesses, and how family narratives are composed from rescued fragments.<br />
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<a href="https://youtu.be/IIrGGvJahdQ" style="color: rgb(255, 255, 255);"><u>Watch externally<text-icon icon="north-east-arrow"></text-icon></u></a><br />
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https://freight.cargo.site/t/original/i/U2921218827333018609169119857433/Project 2 Archival Sabine Hickey
<br />Lines of Protest,<br />Another Era of ICE (2025)<br /><br />This project reimagines America’s political response to ICE violence through the lens of 1970s anti–Vietnam War protests. By blurring archival anti-war footage with images of NO-KINGs and ICE, the short invites audiences to confront the continuities between past and present state violence, to question narratives of progress, and to recognize the enduring power of collective resistance: urging viewers to reflect, mourn, and mobilize for systemic change.<br />
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https://freight.cargo.site/t/original/i/T2921219079629137305294657309465/Screenshot-2026-05-03-at-12.02.19PM.png
<br />Lines of Protest,<br />Another Era of ICE (2025)<br /><br />This project reimagines America’s political response to ICE violence through the lens of 1970s anti–Vietnam War protests. By blurring archival anti-war footage with images of NO-KINGs and ICE, the short invites audiences to confront the continuities between past and present state violence, to question narratives of progress, and to recognize the enduring power of collective resistance: urging viewers to reflect, mourn, and mobilize for systemic change.<br />
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<a href="https://youtu.be/pcbrd8nHmE8">Watch externally<text-icon icon="north-east-arrow"></text-icon></a>
https://freight.cargo.site/t/original/i/Z2922889788493193024451218262809/apricity-2.0-2.m4v